CEMES is lending documentation and photos for the exhibition "José de Almada Negreiros: a way of being modern", a comprehensive retrospective on the work of an artist who propelled the avant-garde in the 1910s and whose career spanned the 20th century.
Opens on February 2nd, 2017 at the Calouste Gulbenkian Foundation, curated by Mariana Pinto dos Santos.
This book is launched on 3 November, at 18 hrs. at the bookshop Paint It Black Via Fratelli Calandra 6/A, 10123, TurinOn the occasion a performative lecture by Pedro Barateiro "Kissing someone in the Middle of the Crowd: Translating Ernesto de Sousa's "Orality, the Future
Selection from one of Ernesto de Sousa's "Cartas do Meu Magreb", (ed. Tinta da China) exhibition sheet at Cristina Lamas' "September Days" exhibition in Algiers, 23-25.09.2023, at Les Ateliers Sauvages, under the auspices of the Camões Institute (38 Rue Didouche Mourad - Alger)). Les
"Crocodile Tears - Photography and Criticism in Portugal 1980-2000" by Susana Lourenço Marques was presented in Lisbon, which includes in a previous point (0) a text by Ernesto de Sousa published in the Dictionary of Universal Painting, Vol 1, Lisbon , Estudios Cor, 1962, p.
In the exhibition catalogue, José Luís Porfírio outlines 3 exemplary stories in Portugal in the 1970s: Dulce d'Agro (Galeria Quadrum), Fernando Pernes (Museu Soares dos Reis) and Ernesto de Sousa (Alternativa Zero) -. they are, each in their own way, key players in the change that has taken